We bought our tickets and hustled up to the Art of Dissent exhibit, which just happened to be next to the Ladies Room. That exhibit alone was worth the price of admission. It was full of beautiful pieces from 17th century China, all created by political dissidents. After that, I pulled out the map.
"Holy cats, Molly," I said. "This place is huge. We're going to need some sustenance."
Fortunately, the Met has a very nice cafe and you get to eat right in the middle of the American sculpture exhibit.
We wandered through Asian, Egyptian, Greek and Roman, European, Islamic art displays and the great Arms and Armour hall. Each single piece dazzled. As a whole, the museum took our breath away.
I hauled Molly out of there after three and a half hours because my dogs were barking and we had to meet the rest of our family for dinner. Easily, we could have spent another hour or two. We're adding the Metropolitan Museum of Art to our long list of Reasons We Must Return to New York.
And, of course, we took pictures.
Here we have four-armed Avlokiteshvara, the Bodhisattva of infinite compassion. We had to google Bodhisattva, but we're still not clear. We're big fans of compassion though. |
Perhaps we could have been more reverent, but we enjoyed posing like the sculptures. |
See caption above. |
As if the beauty indoors wasn't enough, we enjoyed this lovely display through the window. |
I really loved the maternal joy portrayed by this sculpture and I suggested to Molly that we use it as a logo for our blog. Then she pointed out that they were (whisper this) naked and she vetoed it. |
Dined pseudo al fresco with a bunch of cool sculptures. |
I kept trying to capture Molly and my reflection in the mirrors of these American exhibits until a security guard mentioned the no flash rule. |
Like I said, we enjoyed posing like the sculptures. |
Can you spot Molly in this picture? |
Charge! |
So then I pointed out the beautiful white American hieroglyphics with the red background and suggested we follow them. I just plain ran out of gas. |
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